Twelve years after their beloved eldest son, Junpei, drowned while saving a stranger's life, Kyohei and Toshiko welcome their surviving children home for a family reunion. Younger son Ryota still feels that his parents resent that he isn't the one who died; his new wife, Yukari, is awkwardly meeting the rest of the family for the first time. Daughter Chinami strains to fill the uncomfortable pauses with forced cheer.

Rodinné (melo)drama, které na čechovovském půdorysu domu, zahrady a čtyř sester skládá poctu magii všednosti. Tři sestry žijí společně ve velkém domě ve městě Kamakura. Když jejich otec, který od rodiny odešel před patnácti lety, zemře, cestují na venkov na pohřeb, kde poznají svou plachou nevlastní sestru. Jejich návrh, aby odjela žít společně s nimi, dospívající Suzu s nadšením přijímá. Začíná tak období sladkých i nahořklých dobrodružství...

Nafukovací pana v životní velikosti jednoho dne ožije. Aniž by to její majitel věděl, vyjde si na procházku do města, tam potká Junichiho, do kterého se zamiluje. S Junichim začne chodit a zároveň si najde práci ve stejném obchodě, kde pracuje. Zdá se, že jí všechno jde perfektně, dokud se nestane něco neočekávaného.

Do malého bytu se nastěhuje svobodná matka se svými čtyřmi dětmi. Lépe řečeno nastěhovala se tam s dvanáctiletým synem Akirou a tři mladší děti do bytu doslova propašovala. Aby se na černé nájemníky nepřišlo, nesmí mladší děti z bytu ven. Akira nechodí do školy a stará se o své sourozence, zatímco matka pracuje. Jednoho dne matka odjede za svým novým přítelem a nechá děti plně na starost Akirovi. I když by tomu premisa nasvědčovala, Nikdo to neví není obžalobou disfunkčních rodin. Naopak je jemným a poetickým příběhem o chmurách dospívání a krásách dětského světa. Film se natáčel jeden rok, přičemž cílem režiséra bylo vytvořit dětským nehercům přirozené prostředí, které nebude přítomnost kamery nikterak narušovat. (FebioFest 2006)

Nam vede prostý život rybáře na břehu hraniční řeky mezi Severní a Jižní Koreou. Po nehodě motoru jeho loďka překročí na řece hraniční čáru a Nam je zatčen jihokorejskou pohraniční policií. Jeho jediným přáním je vrátit se zpět ke své rodině, ale politická a vojenská mašinerie se již dala do pochodu.

Young student Bai Xuemei is cheated and sold as a wife by human traffickers to a remote village. Raped and beaten, she leads the life of a sex slave and child-bearer with no hope of escape because of the villagers apathy and selfishness.

A young man awakens in the hospital after an accident wipes his memory. Fascinated by a textbook full of drawings of dissections, Hiroshi is drawn to a medical school where he catches the eye of a fellow student. But it's another who becomes his obsession. the dead woman on the cadaver table.

Vrcholné období tvorby Johnnieho Toa zastupuje snímek, který mistrovsky slučuje explozivní akci s originálním konceptem. V jednom bytovém bloku se před policií ukryla skupina všehoschopných zločinců. Zatímco se gauneři a policie nahánějí ve spletitých chodbách a schodištích, současně svádí boj o veřejné mínění skrze manipulování s médii. Mistrovský thriller uhrane ambiciózně inscenovanými akčními sekvencemi, a navíc také promyšleným scénářem, kde se plány a motivace všech skupin střetávají s nevyzpytatelným prvkem náhody.

A silk factory worker is persuaded to support her son's education up to a college level despite their poverty. Many years later, she travels to Tokyo to visit her son.

One of America's fastest-rising comedians, Bill Burr wields his razor-sharp wit with rare skill. In this brand-new stand-up performance, Bill takes aim at the stuff that drives us crazy, political correctness gone haywire, and girlfriends, or as he calls them: relentless psycho robots. A keenly observant social commentator, Bill Burr is also one of the funniest voices in comedy today.

The genin of Konoha are having a sports day filled with races, obstacle courses and of course the relay and the prize is a paid vacation for the winner. Unfortunately Naruto and his stomach are getting him into trouble again.

Juliette was simply not sure about coming to live in this residential suburb of the greater Paris metropolitan area. All the women here are in their forties, have children to raise, houses to keep and husbands who return home late at night.Today she has an appointment in Paris that is important for her career, but she also has to run errands and pick up the kids from school. During the course of her day, monopolized by petty, everyday tasks, Juliette can feel the noose of domestic obligations and household chores slowly tightening around her neck.

Set over one night in Tokyo, we follow Leo, a young boxer down on his luck as he meets his ‘first love’ Monica, a call-girl and an addict but still innocent. But, little does Leo know, Monica is unwittingly caught up in a drug-smuggling scheme, and the two are pursued through the night by a corrupt cop, a yakuza, his nemesis, and a female assassin sent by the Chinese Triads. All their fates intertwine in spectacular Miike style, at his most fun and anarchic.

Kakekomi tells the stories of Edo women in the 1800s that escape abusive husbands and lovers by taking refuge in Tokeiji, a monastery in Kamakura.

All kinds of people are waiting in seven different queues. The first person of each queue becomes the last of the next one, thus creating an enormous human line. But at the end of the line, it all begins backwards again.

The renown hitman, ‘Flying Dagger’, bumps into ‘Wild Dog’, who happens to be a hired assassin for mobster ‘Black Leopard’. While both of them try to be incognito, they cannot help falling in love with each other. However, ‘Wild Dog’ has a secret that he couldn't confide to 'Flying Dagger.'. After all, ‘Flying Dagger’ and ‘Wild Dog’ reveal their secret identities to each other during the fight led by their bosses. They run into danger as gangsters brand them as traitors. Will they be able to overcome obstacles and keep their love?

After fifteen years of imprisonment, Ziad struggles to adjust to modern Palestinian life as the hero everyone hails him to be. Unable to distinguish reality from hallucination he unravels and forces himself to go back to where it all began.

A look at Benedict Yerofeyev, the elusive author of the Russian underground classic From Moscow to Pietushki, who has existed on the fringes of Soviet society for most of his life.

Twelve-year-old Koichi, who has been separated from his brother Ryunosuke due to his parents' divorce, hears a rumor that the new bullet trains will precipitate a wish-granting miracle when they pass each other at top speed.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.