Muž přezdívaný Jesuit je uvězněn za zločin, který nespáchal. Když je zavražděna jeho žena a syna unesou do Mexika, vymyslí komplikovaný a nebezpečný plán na synovu záchranu a pomstu vraždy.

Advokát s vojenskou minulostí pátrá po gangu, který mu zabil ženu a unesl dceru.

Před několika desítkami let SSSR vyvinul nezabitelné žraloky a vypustil je na Měsíc. Dnes čeká tým amerických astronautů životní boj.

Gary chce jen natáčet domácí videa se svými nejlepšími kamarády. Jeho starší sestra Samantha se chce jenom bavit s cool dětmi. Když jejich rodiče odjedou na jeden halloweenský víkend mimo město, změní se večírek pro teenagery v hrůzu, když na ně zaútočí mimozemšťané a donutí je spojit se, aby přežili noc.

The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army’s rescue at Noryang Strait.

Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.

Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.

As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

This comedy has everyone's favorite 6 Swedish gals enjoying their stay in the alps. When the girls aren't enjoying the pleasure of their own company they're out having a good time with nearly everyone else in town.

is a creative documentary-fiction film and a film that might expand your sense of reality. It is the story about a man who enters the virtual world Second Life to pursue his personal dreams and ambitions. His journey into cyberspace becomes a magic learning experience, which gradually opens the gates to a much larger reality.

Ačkoli film vychází ze skutečných událostí, je z velké části fiktivním ztvárněním života Jema Belchera (Matt Hookings) z doby, kdy vyrůstal a sledoval svého dědečka Jacka Slacka (Russell Crowe), jak bojuje jako boxer s holými pěstmi. Jem je svou matkou neustále varován před následováním dědečkova života. Jednoho odpoledne ale Jem vycítí příležitost k získání peněz a na jarmarku snadno porazí šampiona souboru Boba „Blackbeard“ Brittona (Julius Francis). Povzbuzen úspěchem se Jem pustí lehkovážně do bojů o ceny a brzy se postaví proti mistrovi Anglie.

A female FBI agent holidaying in Eastern Europe with her family gets her life upside down when her daughter is kidnapped. She has to team up with a criminal on the run to save her daughter before time runs out.

V měděném hrnci bublá polévka, pevně uchopený nůž seká zelené bylinky a o kousek dál odpočívá kambala namočená v bílém víně. Je rok 1885 a rozlehlý dům v údolí Loiry se probouzí do čerstvého rána. Proslulý gurmán Dodin hýří neotřelými kulinářskými recepty, které jeho věrná kuchařka Eugénie přivádí na svět. Přestože dokonale vybalancované pokrmy svědčí o vzájemném porozumění více než tisíce gest, Dodin by rád, aby se Eugénie stala jeho ženou. Jeho prosba ale podlamuje její nezávislost.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Bývalý agent speciálních jednotek Doc Alexander je požádán, aby v utajení zprostředkoval příměří s mexickým drogovým kartelem. Když oklahomský guvernér Richard Jeffs v televizi oslavuje popravu vysoce postaveného člena kartelu, jeho šéf štábu a Doc ho informují o právě ukončeném míru. Je však příliš pozdě, protože Cuco, sekerník kartelu, se pomstychtivě zaměřil na Docovu dceru Dixie.

Za chladné a bouřlivé noci v New Yorku spadne z nebe záhadný objekt a prorazí okno zchátralého činžovního domu. Je to vejce, z něhož se vyklube podivný pavouk.

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.