Experts set out to prove that female great white sharks rule the ocean.

Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.

After fleeing a backwoods cult, a woman tries to turn her life around by taking a job in a home for special needs adults only to discover that she must face her dark past to save a down syndrome girl.

From the 2004 Try this Tour 1 Intro: Can't Take Me Home 2 There You Go 3 Split Personality 4 Most Girls 5 Lady Marmalade 6 I Wanna Rock 7 Don't Let Me Get Me 8 18 Wheeler 9 Family Portrait 10 Just Like A Pill 11 Respect 12 My Vietnam 13 Misery 14 Eventually 15 Summertime 16 Me And Bobby McGee 17 Piece Of My Heart 18 Higher State Of Consciousness Performer [Performed By] – Josh Wink 19 Feel Good Time 20 God Is A DJ 21 Oh My God 22 Trouble 23 Last To Know 24 Try Too Hard 25 Unwind 26 Welcome To The Jungle 27 Get The Party Started

Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."

Marshal Kirk Reed is escorting five female prisoners---killers all--- from one part of Texas to another part of Texas where a new prison has been built. Along the way he has to deal with dissension among the troops, attacks by the Comanches, a budding romance with Ellen, The Missouri Lady, (before her ex-husband, The Missouri Kid, shows up in an attempt to rescue her.

A comedy about breaking up enough times to finally move on. This funny and moving short asks how far will someone go to mend a broken heart as it follows a young woman and her unusual way of dealing with a brutal break-up.

A young boy’s journey as they take his father to his final resting place.

THE RAKING tells the story of a group of college students who set out to debunk an urban legend in Joshua Tree, California for their anthropology thesis, only to find that they become part of the legend themselves.

“Fellowship of the Dice” follows the plight of Elizabeth (Aimee Graham), a recovering party girl desperate for a new group of friends. After a chance meeting with avid gamer Sanford (Alastair Surprise) lands her an invitation to play the popular fantasy role-playing game, “Wizards, Warriors and Wyrms,” she spends a long afternoon and evening plagued with confusing rules, high adventure and nerdy drama.

A young woman attends an art opening, desperately trying to fit in. She puts on audio-guide headphones and observes the exhibit. Suddenly, the narrator starts giving her wild instructions until she does the unspeakable.

After a stranger murders her brother, Dag sets out on the road to avenge his murder, toting a shotgun and leaving any restraint behind.

A homeless woman contemplates her next move after her home at the beach is destroyed.

Hand-drawn charcoal drawings movingly depict the loneliness and bewilderment of a child seeking safety in a war zone, in this timely very short animation that uses found sound to explore the powerlessness of the refugee experience. Produced as part of the 11th edition of the NFB’s Hothouse apprenticeship.