Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.

Paris, France. Commissaire Wens is put in charge of the investigation into the murder of one of six friends who, in the past, made a very profitable promise.

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

When Gabino's father returns home after a long absence, the two men awkwardly attempt to re-establish a relationship; but Gabino and his mother quickly tire of this man who has become a stranger to them and decide to kick him out, before realizing that he has already left. Gabino eventually tracks his father down and spends time with him in his rundown apartment, trying to figure out if there is any possibility for the two of them to ever truly communicate. Though Greatest Hits continues Pereda's exploration of his perennial themes of absence, masculinity and the difficulty of maintaining a family, it opens up a whole new set of aesthetic questions through a bold formal gambit: halfway through, the entire narrative reboots and starts from scratch with another actor playing one of the key characters, leading to different iterations of events already witnessed.

Pluto is guarding a flock of sheep in the West; a coyote is sneaking up on that flock. The coyote fakes a bad leg; Pluto chases it away, only to have it run back ahead of him and go after the sheep. Pluto gets back and finds the coyote chasing the lone black sheep of the flock, after trapping the rest. The chase ends with the coyote buried under a toppling spire of rock, which forms a coyote of rock on the top.

The title is based on the idiomatic expression "shmenti capelli" characterizing actions of people who like to shuffle and bamboozle others with superficial commitments. Karamfilov choose it as a metaphor for people with huge economic and political power. The funny comedy incorporates a tragic story in which Karamfilov plays two roles: the Big Guy and the Little Guy. Big is tied to the Mafia and the Secret services. Little is an unemployed teacher, squeezed and crushed by the system, which stops his heating and electricity, has his home emptied by a bailiff, and uses him as a tool in a game.

A witch, disgruntled by the fact that no one takes Halloween seriously anymore, decides to stir things up and disrupt the social gathering in her old house as well as turn a couple of kids who love monsters into actual monsters.

Young Petter moves together with his family from a happy life in a rural fisher's village to a rough community and school life in the city of Oslo.

Things take a turn for the worse when a down-on-their-luck band has a chance encounter in the pine barrens of NJ.

A feverishly perverse 1969 film noir oddity starring female impersonator Akihiro Maruyama. When wealthy Kyohei hires transvestite singer "Black Rose" to perform in his exclusive men's club, he gets more than he bargains for when she attracts scores of homicidal past lovers. The film takes a bizarre twist when Kyohei's son falls victim to the femme fatale's unique charm.

A drama about a daily life of a doctors in a military hospital.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Řidič se po neobvyklé dopravní nehodě stane součástí podivného testu - postmoderní pomsty. Krátká anekdota o tom co se odehrává v některých autoopravnách, proč jsou tyto autoopravny tak zchátralé, proč mnohá vrakoviště působí tak podezřele? Je vůbec možné nashromáždit takové množství zničených vozů v podobných areálech normální cestou? Proč když jedete vozem kolem nich máte pocit že zvolna zarůstají travou a zdají se dávno opuštěny? Co se stalo s jejich majiteli? Co se stalo se zákazníky, kteří čas od času dovnitř vstoupí? Pozor, některé autoservisy jsou možná pasti!

A lesbian couple calls upon a donor by internet to have a child. The relationship that develops between the future biological mother and the donor will not be without consequences for the couple.