Odvážná princezna Fantaghiro společně s malou královskou dcerkou Smeralda bojuje o život milovaného prince Romualda proti špatnému černokněžník ... Před mnoha lety žili v bažinách černokněžníci, skřítci a jiné neobyčejné bytosti, které znali tajemství dobra a zla. Všichni, až na jednoho, využívali své schopnosti moudře. Kvůli obávanému a ukrutnému čaroději Tarabasovi (Nicholas Rogers), Pánu temnot, jim však lidé přestali věřit, a proto se ostatní nadpřirozené bytosti rozhodli Tarabase zneškodnit. Tarabasovi je jejich snažení pouze na smích, protože se spoléhá na to, co je napsáno ve hvězdách že on jediný bude mít moc nad dobrem a zlem na celém světě. Černokněžník mu však prozradí i další proroctví, o kterém neměl Tarabas ani tušení - jednoho dne jeho moc zlomí sotva desetiletý potomek královského rodu, který ho přemůže svou nevinností.

In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A group of mismatched friends spend a weekend together in Maine.

After awakening in her basement, the protagonist finds herself cursed by an object, rendering her unable to blink. Haunted by a sinister silhouette creature that appears from various locations, she realizes her only chance of defeating it lies in mastering the ability to confront the creature without averting her gaze.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Joseph Kuo's final film.

Mike je outsiderem australské střední školy. Když je v hodině angličtiny vybrán do dvojice s novým studentem Williamem, objeví mezi sebou nečekanou náklonnost.

Hillary and Bonnie meet one morning by the side of the road. They become fast friends, share their secrets, and, on a rising wave of frenzy, later that afternoon, murder an old woman. They did it, they say later, for fun.

Příběh o muži, který je zmatený svým milostným životem a najde útěchu v jeho rodném domě se svou dětskou láskou.

Velitel zásahové skupiny přichází se svou vycvičenou jednotkou do jednoho z městských obytných paneláků, aby okradl největšího dodavatele drog. Mladá a krásná kurýrka sem přináší donášku, kterou se nikdy neměla pokusit doručit. Swingers párty v bytě u jednoho z místních feťáků se rázem mění ze sexuálních orgií na krutý boj o život. Toto je jen hrstka z osudů mnoha obyvatel paneláku, kteří se ocitají v nesprávný čas na nesprávném místě. Městem se začíná šířit smrtelný virus, který mění lidi v krvelačné bestie.

All summer long, a group of people circumnavigate each other. A group of people who are so close and yet so alienated from one another. Their isolated holiday home is the site for a resurgence of smouldering conflicts and lifelong illusions that threaten to wreck the family’s fragile unity forever.

Tiffani attempts to help her geeky but very cute friend Casey find true love - or at least a sexy hunk. Taken under Tiffani’s wing, Casey pretends to be Ryan, Tiffani's hot, straight, stripper ex-boyfriend, in order to seduce the smoldering Zack online, which works, until the real Ryan shows up!

High school is almost over and four friends are going their separate ways as they go to college. But they have one more chance to spend some time together: Inspection 12, their favorite band, is playing one last concert in Jacksonville, FL.

‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.