Twenty-five-year-old Momo has friends. Her parents live some distance away, but they sometimes get together to dine out. She dates an acceptable guy, and they share drinks at home. She apologizes to unreasonable clients over the phone at work and hones her ability to keep things civil with coworkers at drinks after work. This perfectly ordinary life means Momo doesn't immediately notice a nagging feeling: "I want to die." For her, it's a phrase she must never say aloud. One summer, unable to bear the thought of the coming Monday, Momo takes a day off from work. She begins to visit other people who struggle with thoughts of suicide, but have discovered alternatives and choose to live instead. She connects with these "Papagenos" through social media. Over the course of her difficult journey, Momo herself begins to discover other choices beyond death.

The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.

Zvuky jako svědci. Rozplynou se ve vzpomínkách, polosnech a není jasné, zda jsou skutečné, či nikoliv. Film na pomezí fantazie a reality. V mysli bouří všelijaké obrazy a pulzují temné emoce. Hrozivé tajemství se vzdouvá v dunícím větru našich buněk.

An Okinawan prophecy that foretells the destruction of the Earth is seeming fulfilled when Godzilla emerges to return to his destructive roots. But not all is what it seems after Godzilla breaks his ally Anguirus's jaw. Matters are further complicated when a second Godzilla emerges, revealing the doppelgänger as a mechanical weapon.

Žena s jasnovideckými schopnostmi má vizi vraždy, která se odehrála v domě patřícím jejímu manželovi.

Chile, počátek 20. století. Zámožný statkář José Menéndez najímá tři jezdce, aby vytyčili hranice jeho rozsáhlého pozemku a otevřeli cestu k Atlantskému oceánu přes rozlehlou Patagonii.

Yonosuke Hikura appears to be an ordinary high school student. Yet he has inherited the important role of protecting the harmony between Heaven and Earth. With the help of the magical sword Chitentai, and Tsukinojo Inbe, he courageously battles the demons, sending them back to the Earth World, from which they have escaped.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Kensuke Sonomura directs the legendary Hitoshi Ozawa in this ultimate V-Cinema actioner. Kaiko City is plagued with poverty and crime. When a corrupt businessman decides to run for mayor and starts eliminating opponents from the rival mafia, a former police captain serving time for murder is secretly released and put in charge of a special task force to arrest him.

Couple Jin-goo and Joo-hee have been experiencing a lover's slump after their marriage. Meanwhile, a new couple in the neighborhood, Hyun-jin and Yoo-jeong came to the other couple's house to introduce themselves. They're attracted with each other's husbands and wives, and in the end, crosses the line that is not supposed to be crossed within neighbors. After that day, two couples' passion intensifies...

Film Temná tajemství kuchyně od studia Blumhouse sleduje ambiciózní šéfkuchařku (Ariana DeBoseová), která si otevře restauraci na odlehlém panství. Tam ale bojuje s chaosem v kuchyni, zdrcujícími pochybnostmi o sobě samé... a strašidelnou přítomností, která jí na každém kroku podráží nohy.

Pressured from all sides by the figure of her father, Chiara Mastroianni decides to bring him back to life through her own self. She goes by the name of Marcello, dresses like him and asks to now be considered an actor, not an actress. The people around her believe this to be a temporary joke, but Chiara is determined not to give up her new identity…

Zatrpklá herečka bere role, které jí dohazuje manžel. Ale jenom do chvíle, než potká fotografa, co se do ní zakouká a obsadí ji rovnou do „Richarda III.“

Neutěšený, meditativní obraz lidské samoty tváří v tvář smrti. Děj snímku se odehrává koncem 19. století. Dvě zámožné sestry (Ingrid Thulinová a Liv Ullmannová) přijíždějí na rodinný statek, aby se svou smrtelně nemocnou setrou (Harriet Anderssonová) strávili poslední dny jejího života. Zatímco obě ženy, poznamenány manželstvím a egoismem, nejsou vůči umírající schopny vyvinout citový vztah, nesobecká služebná (Kari Sylwanová), která ji ošetřuje, pečuje o každou její potřebu a poskytuje jí čistou, bezmeznou lásku. Kruté a zároveň utěšující Šepoty a výkřiky odhalují složitou krajinu lidského utrpení, žalu a soucitu, kterou svým neobyčejným výkonem oživují Bergmanovi osvědčení herci. Film získal mnoho zahraničních poct, nejvyšší ocenění Švédského filmového ústavu za rok 1973, dále Oscara za kameru (S. Nykvist) a Cenu Nejvyšší technické komise na MFF v Cannes 1973.

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

Two friends fighting dirty

After the death of their father, three siblings return to the family home where they grew up. They intend to sell it and follow their very different paths. But as memories surface in every corner, a fear of getting rid of the past and an impulse to reunite grows in them. As a last tribute to their father, there may still be time to make up for lost time and the house may witness new stories.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Through eloquent portrayals of four different life experiences — birth, aging, marriage and the death of a parent — Home addresses how the dissolution of the nuclear family and the increasing control of daily life by institutions have affected the individual. The subjects of this verité documentary include a ninety-four year-old woman in a nursing home and a young man caring for his terminally ill mother at home.