Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.

8mm work directed by Norihiko Morinaga.

The main character of the film is an outstanding physicist who was invited to Armenia from Russia to head a lab. He comes across many troubles in his homeland, but nevertheless finds his true love there.

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

A single man has worked most of his life in a supermarket. One night, he unexpectedly meets with his father, and the two are faced with the question of the reasons for their separation.

A horror short with no dialogue (Advised to watch with headphones)

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

V pokračování klasického „béčkového“ hororu Jezero se místní šerif spojuje s newyorskou paleontoložkou, aby společně konečně nalezli příšeru, která s oblibou požírá místní obyvatele. Brzy však zjišťují, že proti nim nestojí jeden gigantický krokodýl, ale rovnou tři! Přidejte si k tomu ještě místní pomatenou milovnici krokodýlů a krveprolití může začít.

Potom co Tommy Jarvis uvěznil Jasona v Křišťálovém jezeře přijíždí sem v rámci terapie traumatizovaná Tina se svou matkou a doktorem. Ten předstírá, že chce Tině pomoci, ale ve skutečnosti je fascinován jejími telekinetickými schopnostmi, kterými před lety neúmyslně způsobila utonutí svého otce v jezeře. Dívka svými schopnostmi omylem osvobodí Jasona a ten rozpoutá nový masakr - když ale obrátí svou mačetu proti samotné Tině, zjišťuje že našel zdatného protivníka. Sedmé pokračování kultovní slasherové série 80. let v režii béčkaře Johna Carla Buechlera.

World traveler and adventurer Gulliver is invited to return to Lilliput, the town he previously saved from the enemy fleet of the neighboring Blefuscu.

Elfinové se nepodobají žádným jiným tvorům. Laskaví a dobrosrdeční kouzelní skřítci milují zmrzlinu a scházejí se na týdenním sjezdu, aby se poradili, jak co nejlépe pečovat o „svého člověka“. Zkrátka se ze všech sil snaží splnit své poslání. Prostě idyla. Nebýt jedné mimořádné výjimky... Finnicka. Tenhle Elfin se každého, kdo se nastěhuje do jeho domu, snaží nejrůznějšími fígly vystrnadit. Lidi nemá rád, protože jsou nepořádní, hlasití a ničí věci. Vše se ale změní, když se do nejděsivějšího domu v městečku Berg nastěhuje desetiletá Kristýna se svými rodiči. Chytrá a odvážná dívenka, která si nejradši hraje na detektiva, Finnicka odhalí. Ve chvíli, kdy se kolem nich začnou dít divné věci, nezbyde Finnickovi a Kristýně než se i přes odlišnosti spojit a začít spolupracovat. Podaří se jim včas vyřešit všechny záhady a zachránit město?

Brigitte se nakazila lykantropií od své sestry Ginger, o niž se dříve starala. Tato nemoc ji sžírá zevnitř nejen tělesně, ale především duševně. Jejímu zdraví také neprospěje, že ji zavřeli do léčebny drogově závislých kvůli detoxikaci, protože lék, jenž jí jediný pomáhá oddálit hrůznou přeměnu ve vraždící monstrum považují za drogu. A k tomu ji pronásleduje i jiná krvežíznivá bestie za ne zrovna neobvyklým účelem...

Cameron Duncan wrote, directed and starred in this short film, the same year a lump in his knee turned out to be cancerous. Aged only 16, Duncan had already showcased his filmmaking talents on a series of award-winning short pieces made for Fair Go's annual programme devoted to commercials. With DFK6498, he channels his recent experiences into a short, stylishly-shot memoir of incarceration, frustration and freedom lost. The film went on to win a trio of awards at Wanganui's River City Film Festival and win praise from director Peter Jackson.

Rozjaření Hrášci z lusku učí Vidlíka číst. Pomáhá jim elektronický Učitel.