This is the story of a vegetable garden, from the first seeds to the harvest. But this garden is different, because here the gardener has decided to banish pesticides and other chemicals, and to be helped only by discreet workers, the insects. As we dive into the heart of this plant kingdom, we discover thousands of tiny lives that organize themselves as in a micro-society: decomposing insects, recyclers, pollinators, the workers of the garden work to maintain a fragile balance within the vegetable garden. As the plants grow and begin to produce their first vegetables, the incredible interactions between insects and plants help protect the future harvest. But it is also their personal stories that punctuate the life of the garden. Between parades, mutual aid and attempted putsch, the story of the vegetable garden thus takes the form of a true nature tale.

Napínavý příběh z českého pohraničí se odehrává v letech 1946-1949. Zachycuje mimořádně obtížné podmínky, za kterých příslušníci Pohraniční stráže vykonávali svou odpovědnou službu v době, kdy nepřátelé volně přecházeli dosud nechráněnou hranici a bezohledně vraždili české obyvatelstvo. Chronologické zařazení tragických a dramatických chvil i humorných situací vyvolává v divákovi dojem, jako by listoval v záznamech o činech a životech, které by neměly být zapomenuty. Ústředními postavami jsou tři pohraničníci a věrní přátelé, do jejichž postav promítli tvůrci osudy stovek mladých mužů, střežících před padesáti lety naše hranice.

A cult experiments with DNA and creates a homicidal baby.

Without question, this is an incredibly bizarre production. The revised storyline makes little sense, and there is a surprising amount of violence and sexual innuendo. However, the singers are superb, both vocally and in regard to their stage presence and acting, the orchestra plays beautifully, the chorus is wonderful, and the set is as clever as it is strange. It's definitely not for purists, or for someone new to this particular opera. But for someone who's seen Die Entfuhrung before, and is familiar enough with the original story to not miss it, watching Belmonte, Constanze, Blonde, Pedrillo, and Osmin embark on an entirely new adventure -- and push the boundaries of good taste -- is rather enjoyable.

Four woman of different generations. Their bodies and faces confronted with a tender and ruthless camera. Explicit and implicit movements; intimacy, shyness and extravagance in a mysterious choreography. A magnifying glass that explores and amplifies their moods, and silences: a shared loneliness.

Set in the late 1980s, this critically acclaimed indie classic from 1992 portrays a gritty side of gay life in Los Angeles. Ethan (Paul Marius), a 27-year-old photographer, believes he has no need for love or commitments, and is living his life amidst one-night stands. Ethan is coaxed by his "best buddy" Dennis (Jason Adams) into attending a reunion of college friends and lovers at a Palm Springs hideaway. What is supposed to be a restful vacation turns into a round of hard drinking and cruel sexual games. By the end of the "vacation," Ethan feels a need for new friends and returns to Los Angeles. Confronting his troubled family life, he calls his father - who doesn't want anything to do with him. In the end, Ethan realizes that he can make his own "family" with friends who will accept each other without judgments.

Boy ('the helper') tells the story of an invisible member of our society, an illegal Filipino cleaner. He has no name. Moving continuously from one location to the other, he is living between being seen and being invisible, between his life with his boyfriend, an erotic dancer, and his role as financial provider of his family back home. All this changes when his boyfriend auditions for a dance-company and one of his employers commits suicide. A charming photographer shows interest in him. He wants him as a model for a photo series.

Julie, a French-Algerian girl, pays for her studies by working for a well-to-do couple as a caregiver for their son, an alert, somewhat spoiled child with health problems. The cohabitation, highly valued by Julie, whose appreciation for the wife goes beyond simple admiration, is threatened when the husband, Manuel, confesses to her that he is in love with her and asks her to leave the house: he wants to protect his marriage and his feelings for her put him in danger. But Julie doesn't want to leave and is willing to go further than Manuel expects in order to continue living there...

Bájné bytosti z řecké mythologie žijí své životy a řeší své problémy v současném světě.

A mad man, Spyros, wants to marry Marianna, his lively sister. He wants to give her a dowry apartment, but his money is not enough for that. So he has to ask for a loan from his boss. The boss refuses to serve him but as soon as he knows Marianna, he changes his mind. Spyros tries to think of Marianna, who is smirked for his boss's mistress, but he only manages to lose his job. He wants to marry her with the poor and honest electrician Manolis, who is in love with her.

Series based on Leonie Frieda's book "Catherine de Medici: Renaissance Queen of France."

An 18 year-old girl reluctantly gives her baby up for adoption. As time goes by, her yearning for the baby gets bigger and she visits the adoption center to ask if she can have the baby back.

Ashton Redding, a mailroom attendant at Brev Corp, is lured into a strange bond with the Phototron 69 photocopier machine in the office... (ALTER)

A small bingo hall is threatened by the opening of the country's largest bingo centre nearby.