Synopsis 1. "Today's Superpower" (26min, 오늘의 초능력, o-neul-eui cho-neung-ryeok) by Lee Min-seob People who claim to be able to use superpowers once a day gathered! But why can't they use their superpowers? Do they really have superpowers in the first place? 2. "1+1" (30min, 1+1) by Han Jay "Toot! I'm 1+1!" One day, the same alter ego as me appeared! 3. "Jangah & Chichung" (35min, 장아치청, jang-a-chi-cheong) by Kim Tae-hoon-II "Burp!" Once you start burping, there's nothing you can do. A comedy action movie limited to 60 minutes, filled with real superpowers by superheroes. 4. "LOVE SICK" (23min, 러브씩, reo-beu-ssik) by Jung Seung-hoon A year after the end of the zombie crisis, Seung-beom prepares an unforgettable proposal for his girlfriend Ji-yoon who saved him.

Jerzy and Artur’s father dies, leaving behind a valuable stamp collection, which, they discover, is coveted by dealers of varying degrees of shadiness. The more involved the brothers get in their father’s world, the more dire and comical their situation becomes.

Dokumentaristka Genya Tachibana vypátrala legendární herečku Chiyoko Fujiwara, která na vrcholu své kariéry záhadně zmizela. Když jí předloží klíč, který ztratila a o němž si myslela, že je navždy pryč, nemohl filmař tušit, že odemkne nejen dlouho skrývané tajemství Čijokoina života... ale i jeho vlastního.

A young actress arrives late to a casting, making up a great excuse without knowing a small detail.

Mobile Suit SD Gundam Mk. II delivers with more tongue-in-cheek humor than the first series. In "The Rolling Colony Affair," a colony is hosting a cabaret show featuring the girls of Gundam. But the show turns disastrous when men and mobile suits go crazy over the girls, sending the colony rolling out of control. A parody of the videogame RPG genre, "Gundam Legend" has Amuro, Kamille and Judau sent on a perilous quest to rescue the princess of the Zeta Kingdom from Char Aznable and his vicious Zeon MS forces.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

Beksiński is a gentle man with arachnophobia, despite his hardcore sexual fantasies and his fondness for painting disturbing dystopian works. Beksiński is a family man who wants only the best for his loving wife Zofia, neurotic son Tomasz and the couple's aging mothers. His daily painting to classical music eventually pays off and he makes a name for himself in contemporary art. Good Catholic woman Zofia tries to hold the family together, but troubled son Tomasz proves to be a handful with his violent outbursts and suicidal threats. Their relief is brief when he starts dating women and becomes a radio presenter and movie translator, and the concerned parents must be on constant watch to prevent their son from hurting himself. But Beksiński never believed that family life would always be sunshine and rainbows. As he tapes everything with his beloved camcorder, the 28-year Beksiński saga unfolds through paintings, near-death experiences, dance music trends and funerals...

Christian Slater is a stranger who comes to a small town. The local citizens think he's up to no good. After bothering him for a while, he blurts out in frustration, that he is there to kill himself.

In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.

Podle stejnojmenného románu Lászla Krasznahorkaie natočil Béla Tarr sedm a půl hodiny trvající veledílo Satanské tango, jímž na sebe upozornil také za hranicemi Maďarska. Film se odehrává stejně jako Zatracení (1988) v posttotalitní pusté krajině, již rozbahňuje neustálý déšť a drásá drsný vítr. Příběh hříšné vesnice je rozvržen do dvanácti kapitol, jež můžeme rozdělit na dvě poloviny, což odpovídá pravidlům tanga (šest kroků dopředu, šest kroků dozadu). Především v první části Tarr paralelně vypráví osudy jednotlivých postav, které směřují k jasně danému bodu - příchodu lžiproroka Irimiáše a jeho kumpána Petriny. Z několika úhlů pohledu sledujeme toto dlouhé čekání na člověka, jehož se obyvatelé chátrající vesnice obávají.

2112; the summer before Akane Tsunemori was assigned to Division One of the Public Safety Bureau's Criminal Investigation Department. Teppei Sugo, an accomplished pilot of the Defense Army's 15th Integrated Task Force, joins the military operation in Okinawa. Three months later, an unmanned combat drone opens fire on the Ministry of Defense in Tokyo. Enforcer Tomomi Masaoka of CID Division One is dispatched to Sugo's military base to investigate the truth behind this case.

Dancing great Bill Williamson sees his face on the cover of Theatre World magazine and reminisces: Just back from World War I, he meets lovely singer Selina Rogers at a soldiers' ball and promises to come back to her when he "gets to be somebody." Years go by, and Bill and Selina's rising careers intersect only briefly, since Selina is unwilling to settle down. Will she ever change her mind? Concludes with a big all-star show hosted by Cab Calloway.

Police officers around Tokyo are being murdered by an unknown assailant. When Ran witnesses an attempt on the life of one of her friends in the police, she loses her memory. Now, Conan and Inspector Megure must find the murderer while Ran attempts to regain her lost memories.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.

Rudá armáda se dostala tunely podzemní dráhy až na stanici metra Kaiserhof. Hitler ve snaze neustopit za žádnou cenu vydal rozkaz k zatopení podzemní dráhy v Berlíně, která sloužila jako úkryt před leteckými útoky pro civilisty. Zde Němci měli i svá shromaždiště raněných z bombových útoků na město. V podzemí tak zahynulo mnoho nevinných lidí. Hitler neunesl porážku a společně se svou ženou spáchal sebevraždu. Hrstka fanatických německých generálů se nehodlala vzdát a tak byl bílý prapor vyvěšen až 2. května 1945, kdy skončila bitva o Berlín...

The SD Gundams are at it again: first with a race among all of the prior SD Gundam characters, then the SD Zeons run a space travel agency in the second episode.

Ve svém raném filmu Bergman pokračuje v soustředěném zkoumání citových vztahů, tentokrát nezralé lásky sotva dospělých mladých lidí ze sociálně nižší vrstvy na předměstí Stockholmu. Temperamentní přidrzlá Monika okouzlí a svede plachého, nesmělého Harryho a podniknou spolu romantický únik lodí z města na ostrov. Rajské opojení brzy pomine a dvojice, zbavena iluzorních snů, je vržena zpět do tvrdé reality.

A lonely Parisian woman comes to terms with her isolation and anxieties during a long summer vacation.

Jeff Bailey je nenápadný majitel pumpy v malém městečku v Kalifornii, kde se nějakou dobu pokouší vést nový život. Jednoho dne se k němu přihlásí hazardní hráč Whit Sterling. V tu chvíli Jeff cítí, že najednou má příliš horkou půdu pod nohama. Ještě před rokem byl soukromým detektivem, jehož si právě hazardní hráč Whit Sterling najal na sledování své milenky Kathie Moffatové. Ta zmizela někde v Acapulcu s jeho 40 000 dolary. Jeff brzy věděl, kde ji má hledat. Jeho život se ale zkomplikoval v okamžiku, kdy Kathie poznal... Kriminální příběh, který patří k nejlepší snímkům série žánru noir, natočil Jacques Tourneur (který je také znám jako tvůrce hororů Kočičí lidé, Komedie plná hrůz). Úlohu Jeffa Baileyho ztvárnil Robert Mitchum, postavu Whita Sterlinga představuje Kirk Douglas.

‘Finding Fanon’ is the first part in a series of works by artists Larry Achiampong and David Blandy; inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation. In the film, the two artists negotiate Fanon’s ideas, examining the politics of race, racism and the post-colonial, and how these societal issues affect their relationship. Their conflict is played out through a script that melds found texts and personal testimony, transposing their drama to a junkyard houseboat at an unspecified time in the future. Navigating the past, present and future, Achiampong and Blandy question the promise of globalisation, recognising its impact on their own heritage.