French filmmaker Eric Lartigau directs the anarchic buddy comedy Bullit and Riper, originally released as Mais qui a tue Pamela Rose? French comedic television stars Kad Merad and Olivier Barroux are both the protagonists and the screenwriters. As a parody of Hollywood cop films, the story is set somewhere in the American Midwest as fabricated by the French. After losing his regular partner, FBI agent Richard Bullit (Merad) gets assigned to the book-learned cop Riper (Barroux) to investigate the death of a stripper. American movie stereotypes abound, such as shock jock Phil Canon (Gérard Darmon) and sheriff Steve Marley (Jean-Paul Rouve).

Norman, one of France's longest-running YouTube stars, returns to the stage for his second French stand-up tour, after testing his jokes out for months and "maturing".

Florilège des sketch réalisé pour "La grosse émission" sur Comédie!.

This release was recorded during the 1993 Melodic Metal Tour at Hamburg’s Dock’s venue on September 25, sharing the bill with fellow German headbangers Rage, whose performance has also been released on DVD and the review can be seen here. The lineup for this show consisted of Ralf Scheepers on lead vocals, Kai Hansen on guitar, Dirk Schlachter on guitar and keyboards, Jan Rubach on bass and Thomas Nack on drums. The show was to see one of the last performances of Scheepers as he left the band soon after this tour. Based on a three album recording career including the albums Heading For Tomorrow, Sigh No More and Insanity and Genius the band had an established fan base coming into this tour. The show is a mix of live performances and interviews, giving a great insight into the show but also to some behind the scenes goings on. It also includes footage in the recording studio for the production of the Insanity and Genius album.

A wannabe actor must chose between his passion and his father, a crook.

The We and the I is the heartfelt and comical story of the final bus ride home for a group of young high school students and graduates.

Philippe Mars wants to please everyone. He wants to be a good father, a friendly ex-husband, a helpful colleague and an understanding brother. Unfortunately, his little world goes out of its planned orbit. His son becomes a hardcore vegetarian, his daughter a compulsive swot, whilst his sister exhibits giant paintings of their naked parents. At the office he must face the rampages of his mentally unstable colleague Jerôme who one night turns up at his door with a young woman in tow who has just been released from a clinic.

The two friends Claude and Serge are fundamentally different in their temperament. Similarities arise only when they try to have a relationship with a woman, because both fail equally. While Claude is simply too shy to even start a relationship, let alone meet a woman, Serge is too jumpy to have a relationship. Together they go in search of the great love in all sorts of curious situations, from the self-help group on speed dating to wedding celebrations of strangers - in the hunt for the right woman, they are no way too far.

Ve francouzské situační komedii režiséra Edouarda Molinara Nalevo od výtahu hraje Pierre Richard výtvarníka - tichého, klidného, plachého a spořádaného muže, kterého má konečně, po celých měsících tajného zbožňování, navštívit v bytě vdaná Florence. Decentní setkání se však v důsledku náhod a nedorozumění, vznikajících kvůli chorobně žárlivému sousedovi a jeho mladičké manželce, mění ve sled zdánlivě absurdních situací. Všechno začne, jako v mnoha dobrých komediích zabouchnutými dveřmi.

An ageing punk-with-a-dog and his brother the conformist decide to get their revenge on a shopping mall. Directing duo Benoit Delepine and Gustave Kervern, longstanding comic crusaders against capitalism, again set out to surprise and shock the bourgeois audience.

Eric a Ramzy pracují jako umývači oken na mrakodrapu v pařížském Montparnassu. Ve snaze dát si schůzku s půvabnou šéfkou Marie-Joelle (která ho ve skutečnosti nemůže vystát), zůstane Ramzy déle v práci, zatímco Eric se jen tak poflakuje okolo. Výsledkem je, že se oba stanou svědky útoku teroristů, kteří obsadili věž mrakodrapu a přitom zajali skupinku rukojmí (mezi nimi i Marie-Joelle). A protože pomoci jim mohou jen oni dva, Eric a Ramzy vyrážejí do akce.

Den se chýlí ke konci a vy jste vyslýcháni policií. Konec je v nedohlednu. Jste unavení, hladoví jako vlci a vzhledem k chybějícím oknům v místnosti nejste schopni rozeznat, kolik je hodin. A co hůř, všichni policisté na stanici jsou naprostí šílenci. Přesně takové situaci čelí nešťastník Fuguain . Byl předveden, aby podal výpověď o mrtvole, kterou našel před svým domem, což se rychle promění v banální a vyčerpávající popis celého jeho večera. Když je zanechán o samotě s paranoidním šerifem, kterému se okamžitě stane legrační, avšak smrtelná nehoda, Fuguain má náhle na krku ne jednu, nýbrž dvě záhadné mrtvoly.

Die-hard fans of the 1980s, Vincent and Antoine run a company that supplies doubles of faded stars throughout the whole of France. What starts out as a promising business venture ends up as a calamity when Vincent and Antoine have over forty engagements booked but no one to attend them. They then have a brainwave. Why not get in touch with the real stars of the 1980s and persuade them to make a comeback? Why make do with an imitation when you can have the real McCoy?

Cesar is a young schoolboy living in Paris with his family. Their life is ordinary, but Cesar wants more excitement (which he creates, in one instance, by claiming to his teachers that his father has been arrested). During the school holidays, Cesar and his friend Sarah decide to help their mutual friend, Morgan, find his father who supposedly lives in London. Each one tells their parents that they're staying with the other two, and together they sneak out to begin their search.

Catherine Deneuve hraje královnu imaginární východoevropské země. Její manžel zemřel a země zůstává bez krále. Podle zákonů království musí být následník trůnu ženatý. Jejich nejstarší syn je však stále svobodný, a proto na trůn nastupuje jeho méně zodpovědný bratr Arnaud. To matince ani tak nevadí. Její problém je Arnaudova žena Armelle, velice nevýrazná paní. Bude toto ošklivé káčátko schopno převzít roli první dámy ?

Jacques and Martine, an ordinary bourgeois couple, invite to dinner a friend whom they have not seen the last ten years. Since then he has become a media star and everything has to go just right at dinner.

After learning of her husband's infidelities, a housewife invites an itinerant lesbian to move in with them. None of their lives will ever be the same again.

Takže, pokud pohodlně sedíte, můžeme začít. Takto nás do příběhu vtáhne Liam Neeson, který v životopisném filmu Kinsey ztvárnil profesora Alfreda Kinseyho. Ten se v první polovině 20. století proslavil otevřenou studií lidského chování při té nejoblíbenější činnosti a lidské sexuality vůbec. Kinsey za svůj život vydal několik uznávaných publikací , které mezi tehdejší veřejností způsobily poprask svojí otevřeností a jednoduše tím, že všechno kolem sexu bylo v oné době velké tabu. Kinsey: Jaká je Vaše nejoblíbenější poloha při milování ? Dívka kolem dvaceti let: Ono jich je více?

Živil se napodobováním francouzské popové hvězdy, ale kvůli manželce toho nechal. Jenže teď by se rád přihlásil do soutěže imitátorů.

A collection of stories about and images of our world, offering an immersion to the core of what it means to be human. Through these stories full of love and happiness, as well as hatred and violence, it brings us face to face with the Other, making us reflect on our lives. From stories of everyday experiences to accounts of the most unbelievable lives, these poignant encounters share a rare sincerity and underline who we are – our darker side, but also what is most noble in us, and what is universal. Our Earth is shown at its most sublime through never-before-seen aerial images accompanied by soaring music, resulting in an ode to the beauty of the world, providing a moment to draw breath and for introspection. This film is a politically engaged work which allows us to embrace the human condition and to reflect on the meaning of our existence.