People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

Six vignettes pit an assortment of characters against each other in everyday situations.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times

Red, a shy orphan who spent most of his childhood in a girly bar, grew up to be the town's best fixer. When a rich kid was gunned down in a drug bust that went wrong, Red was hired by Art, a spoiled socialite, to fix the mess.

As she leaves for art school in New York, Skye gets a phone call from Alex. Skye hasn't heard from Alex in two years, but before she can move on with her life she needs to tie up some loose ends. Unfortunately, someone else has the same idea, and they're stalking and slashing their way through Alex's Sweet 16 party at her grandparents' isolated estate.

Jokes as a weapon of resistance: how satire sustains a beleaguered culture.

As the silhouette of a lonely girl runs through the woods, something in the shadows is lurking her.

Three robbers on the run to a new life cross their way with a woman and her son and with the tragic curse they're bringing. On their trail, the mob boss they worked for and a mysterious secret organization of unscrupulous men. During this crazy epic ride to hell, a jealous girlfriend and an former-cop and his brisk methods will join them. At stake, the child's life and the future of the world.

There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.

SUMMARY:- A girl wakes up early in the morning to witness an immense Pain in her groin area & discovers blood on the bedsheet which makes her very uncomfortable to face her father. The next series of events lead her to understand whether she can speak about it or not, moreover, an important incident is highlighted between the use of face mask and sanitary pads as both are used for protection purposes. In this, her father get involved consciously and maintains stability and at the same time respecting her daughter's emotion in order to make her understand about the scenario, makes it even more effective love & affection for the father-daughter duo in facing each other and also towards the society.

Three macabre short stories about gambling, vengeance and homicide.

Adrienne, královna divadla Frivolity, je sebestředná upírka, která krade jiným ženám manžely. Její současnou kořistí je Phillip Overman, a když Overmanova žena upírku prosí, aby jejího manžela osvobodila, Adrienne ji přehlíží. Daisy, sboristka, je bezcitností své kolegyně šokována, ale Adrienne tvrdí, že je jen praktická. Když se seznámí s pittsburským milionářem Davem Wallacem, Adrienne se zamiluje a Overmana zavrhne. Brzy po svatbě se Adrienne dozví, že její manžel má poměr s Daisy, která je nyní vládnoucí královnou Broadwaye. Prosí Daisy, aby jejího manžela propustila, a ta jí na to odpoví zopakováním filozofie, kterou jí Adrienne dala. Zoufalá Adrienne nastoupí na loď směřující do Evropy, spatří Overmanovy, kteří jsou nyní šťastně shledáni, a uvědomí si povrchnost svého života.