A group of friends try to defeat an evil king, and meet some quirky characters along the way.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

Adrienne, královna divadla Frivolity, je sebestředná upírka, která krade jiným ženám manžely. Její současnou kořistí je Phillip Overman, a když Overmanova žena upírku prosí, aby jejího manžela osvobodila, Adrienne ji přehlíží. Daisy, sboristka, je bezcitností své kolegyně šokována, ale Adrienne tvrdí, že je jen praktická. Když se seznámí s pittsburským milionářem Davem Wallacem, Adrienne se zamiluje a Overmana zavrhne. Brzy po svatbě se Adrienne dozví, že její manžel má poměr s Daisy, která je nyní vládnoucí královnou Broadwaye. Prosí Daisy, aby jejího manžela propustila, a ta jí na to odpoví zopakováním filozofie, kterou jí Adrienne dala. Zoufalá Adrienne nastoupí na loď směřující do Evropy, spatří Overmanovy, kteří jsou nyní šťastně shledáni, a uvědomí si povrchnost svého života.

Produced by WGBH-TV in Boston, THE MEDIUM IS THE MEDIUM is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists – Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock, and Aldo Tambellini – to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

You are following the lives of a family who have chosen not to take the microchip implant but instead live a life with no home and consistently on the run from the one world government known as the F.A.T.H.E.R.

GIRLS' GENERATION ~Girls&Peace~ Japan 2nd Tour is the second concert tour by South Korean girl group Girls' Generation to promote their second Japanese album, Girls & Peace.

SMTOWN LIVE 2022: SMCU EXPRESS @ KWANGYA is a live concert held on January 1, 2022, by SM Entertainment. The concert will be broadcast free of charge online through various streaming platforms. The lineup consists of Kangta, BoA, TVXQ, Super Junior, Taeyeon and Hyoyeon of Girls' Generation, Onew, Key, and Minho of Shinee, Kai of EXO, Red Velvet, NCT, WayV, and aespa.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

Joe Newman, a naturalised Briton, is telephoned by his German father, whom he believed long dead, at the same time as a funeral is taking place in Bavaria - with his father's name on the coffin. His investigation in Bavaria reveals startling facts and the obstruction he meets makes him suspect foul play.

The story of a hard working latino in London, who is about to receive some bad news, in the worst time.

With extraordinary access, BLAST exposes a world of risky, hardcore, scientific adventure. The story follows an international team of astrophysicists trying to launch a multi-million dollar telescope on a NASA high-altitude balloon. Their journey to discover thousands of early galaxies takes them from the Arctic to the Antarctic. Revealing frustrations, inevitable failures and ultimate triumph, BLAST puts a human face on the quest to answer our most basic question - How did we get here? (IMDb)

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

Call-center workers receive a phone call from God.