Z největší skládky odpadů na světě přichází neuvěřitelně pravdivý příběh známého newyorského umělce a skupiny catadores (mrchožrouti). Film, jehož natáčení trvalo téměř tři roky, sleduje známého umělce Vika Munize na jeho cestě z Brooklynu do rodné Brazílie, konkrétně na největší skládku odpadů na světě Jardim Gramacho, který se nachází na okraji Rio de Janeira. Právě tam vznikly fotografie eklektické skupiny Catadores (mrchožrouti) - samozvaných sběračů recyklovatelných materiálů. Munizovým počátečním cílem bylo namalovat Catadory s odpadky, nicméně následná spolupráce ho inspirovala k fotografickým obrazům z odpadků, které odhalují jejich důstojnost i zoufalství. Režisérka Lucy Walker a spolurežiséři Joao Jardim a Karen Harley měli úzký přístup k celénu procesu tvorby a na konci nabízejí strhující důkaz transformační síly umění a alchymie lidského ducha. [Zdroj: HBO]

An examination of the infamous thirty-year-old cold case of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on Johnny’s mother, Noreen Gosch, and her relentless quest to find the truth about what happened to her son. Along the way there have been mysterious sightings, bizarre revelations, and a confrontation with a person who claims to have helped abduct Johnny.

Rocket science meets the auto industry as "APEX" follows a thread that starts in the design studios and R&D labs where these "fighter jets of the street" are created, and leads to a perilous racetrack in Germany where drivers can reach new heights of speed and performance -- if they dare. Equal parts human drama and speed, "APEX" follows Swedish entrepreneur Christian von Koenigsegg, a lifelong sports car enthusiast on a personal quest to build a "mega" car whose golden ratio defies all expectations for a hypercar's velocity and power, while competing against the biggest names in motorsports for space on the world stage. With insights from top engineers and designers, "APEX" pulls back the curtain on the top-secret development facilities at Porsche, Ferrari, McLaren and Pagani, where awe-inspiring hypercars are imagined and built, and puts you inches from the action, as top drivers shake down the latest hypercars, flat-out on some of the world's greatest racetracks.

Estamira is a 63-year-old woman who suffers from schizophrenia. She leads a tough life and has supported herself for the past 20 years by picking through garbage at the Jardim Gramacho Disposal Area in Rio de Janeiro. The film follows her starting in 2000, the year she begins treatment in a psychiatric clinic. At first, it is hard to understand her in her stream-of-consciousness sentences, delusions and obsessions. Gradually, however, we get to know her as a woman who can have quiet and lucid moments despite her illness.

An obituary of Che Guevara, made in forty-eight hours to be shown at the mass meeting on the 18th October 1967 in the Plaza de la Revolucion in Havana, where Fidel Castro announced the death of Guevara in Bolivia.

Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.

When Thomas Overby mistakenly believes Aya is his assigned driver, she spontaneously decides to go along with the charade and drives him to Jerusalem. A stiff and guarded pianist, Overby is intrigued by the impulsive though melancholy Aya. As they slowly begin to connect, the film takes us on a journey we hope will never end.

A school teacher from a small town in Poland comes to Warsaw to see his estranged wife, a window dresser, in the hope that she will return to him rather than give him a divorce.

Live At The Aragon is the first-ever live experience package released by heavy rock innovators Mastodon. The set contains a CD and DVD which capture the band's sonic assault recorded and filmed live October 19th, 2009, at the Aragon Ballroom in Chicago, while touring in support of their critically-applauded album, Crack The Skye. Live At The Aragon follows in the wake of the band's acclaimed conceptual masterwork Crack The Skye, released in March 2009 to thunderous accolades, and finished out the year even stronger as it found its way onto numerous "Best of 2009" critics lists and readers polls, including an impressive No. 8 position on the prestigious Village Voice Annual Pazz & Jop Poll. Live At The Aragon is comprised of Crack The Skye in its glorious entirety along with fan favorites from Blood Mountain (2006) and Leviathan (2004) plus a brutal live cover of "The Bit" by Melvins.

An extramarital affair leads to a young couple contracting venereal disease.

That's Not Funny is an examination of the history of taboo subjects and controversy in comedy, and one comedy fan's heartfelt and passionate defense of an art form.

The Fish In Me tells the liberating story of Barris, who is stuck in his physical and mental limitations, by using the metaphor of opening up from the aquarium into the sea. Barris, a marine biologist in his thirties, was born with a defect in his left hand, making his hand look like a fin. He tries to find a meaning to his physical and psychological problems by using science, especially the theory of evolution. He runs experiments in his aquarium shop in the old town of Istanbul, looking for evidence to support this theory. The limited life that he built for himself comes to an end with a hypnotherapy session, after which he sails to the Aegean Sea, looking for people like him.

V říjnu 2011 byl spuštěn černý on-line obchod Silk Road, využívající virtuální měny Bitcoinů a obranné technologie chránící anonymitu. Během pár měsíců se dostal pod hledáček úřadů, především kvůli obchodu s drogami. Poznejte příběh Rosse Ulbrichta, který byl usvědčen z jeho provozování a odsouzen k doživotnímu vězení...

Forensic experts scan Pompeii’s victims to investigate why they didn’t escape the eruption.

Viceprezident miliardového investičního fondu přijde o práci a skončí jako číšník v bistru. Zde se seznámí s bývalým vězněm, který mu udělí velkou životní lekci...

Děj je zasazen do konce šedesátých let – podzim 67 až léto 68 s krátkým epilogem přesahujícím do let sedmdesátých. Pražská vilová čtvrť Hanspaulka, jemná poetika a humorná nadsázka jsou charakteristické pro mozaikové vyprávění paralelních životních osudů tří generací mužů a žen ve zvláštním období našich dějin v roce 1968.

Experience the show that quickly became a national phenomenon. Get an up-close and personal look at Kevin back in Philly where he began his journey to become one of the funniest comedians of all time. You will laugh 'til it hurts!

We do not know when and how we will die. Death Row inmates do. Werner Herzog embarks on a dialogue with Death Row inmates, asks questions about life and death and looks deep into these individuals, their stories, their crimes.

Dokumentární film "Robin Williams: Come Inside My Mind" je zábavný, intimní a srdcervoucí portrét jednoho z nejoblíbenějších a nejvynalézavějších komiků na světě. Filmová pocta, vyprávěná převážně Williamsovými vlastními slovy, oslavuje to, čím obohatil komedii i kulturu jako takovou, od divokých dní konce sedmdesátých let minulého století v L. A. až po jeho smrt v roce 2014.

Čtrnáct tisíc let starý "Pozemšťan" John Oldman (David Lee Smith) nyní vyučuje v severní Kalifornii. Nejenže začíná konečně stárnout, ale čtyřem jeho studentům se podařilo odhalit jeho největší tajemství. To staví jeho život do vážného ohrožení a může mít za následek rozvrácení světově nejznámějšího náboženství.