Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding baby his lunch, while mum is serving tea.

The development that reached the city of Recife on the second anniversary of the administration of Sergio Lorêto, governor of the State.

Part of Three Hand-Painted Films, Night Music (originally painted on IMAX) attempts to capture the beauty of sadness, as the eyes have it when closed in meditation on sorrow.

Pedestrian and horse-drawn vehicles traffic, across the Place des Cordeliers, in Lyon.

Monty Citymouse invites his cousin Abner Countrymouse for a visit and shows him the ways of the big city, including traps, eating quietly, and busy traffic.

A gang of thieves lure a man out of his home so that they can rob it and threaten his wife and children. The family barricade themselves in an interior room, but the criminals are well-equipped for breaking in. When the father finds out what is happening, he must race against time to get back home.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Down the gangway, photographers leave the deck of a riverboat in large numbers.

In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

A brief fantasy tale involving a strange fairy who can produce and deliver babies coming out of cabbages. This film is lost or never existed. Copies of it online are actually the 1900 remake.

The story of Henrik, who takes part in a student exchange program with France. The only reason for this journey is to conquer the heart of his dream girl. Wild Partys, exciting trips, a crazy host family and of course his trouble with the French language turn the - at first unmeant - holidays into a memorable summer.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?

Příběh zasazený do současné Belgie zachycuje vnitřní boj třináctiletého Ahmeda, který se musí rozhodnout mezi ideálem čistoty islámského imáma, a životními pokušeními.

Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.

Kameraman se potuluje s kamerou přehozenou přes rameno a s oslnivou vynalézavostí dokumentuje městský život.

Senátor Ranse Stoddart se vrací na divoký západ, do města Shinbone, aby navštivil pohřeb svého dávného přítele, Toma Doniphona. Senátor vypraví místnimi novináři příběh, který ho před dávným časem do Shinbone přivedl a jak začala jeho kariéra coby muže, který zastřelil Liberty Valence, nejobávanějšího banditu okolí. Muž, který zastřelil Liberty Valance je jedním z nejlepších a nejznámějších westernů historie.

Rok po událostech Kapitán America: První Avenger pracuje britská agentka Peggy Carterová na analýze dat a prolomení kódů pro Strategickou vědeckou rezervu. Zatímco pátrá po záhadném Zodiacovi, bojuje také se svým mysogynním, byrokratickým šéfem, agentem Johnem Flynnem, který si myslí, že ženy nemají do záležitostí tajných agentů strkat nos.