Hank, fresh off a fight with his girlfriend, travels for a weekend alone to a quaint bed and breakfast, only to inadvertently trigger a fight between the elderly couple who runs it.

The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army’s rescue at Noryang Strait.

A comedy about a naive young architect and his wild designs for a “New Moscow.” The Soviet censors weren't at all amused and shelved it.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.

Double-agent Brigitte Lahaie is the star attraction at a strip-joint/brothel called "Le Diable Rose" in Nazi occupied France which is frequented by both Nazis and Partisans alike.

A watershed program in Australian television, The Dream aired every night for the 15 nights of the Sydney Olympic Games. Roy and HG engaged in loosely scripted banter, hilarious athlete interviews, and most famously a reinterpretation of Gymnastics, Greco-Roman Wrestling, Weight-lifting and Diving with their own distinctive commentary style.

A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.

Ačkoli film vychází ze skutečných událostí, je z velké části fiktivním ztvárněním života Jema Belchera (Matt Hookings) z doby, kdy vyrůstal a sledoval svého dědečka Jacka Slacka (Russell Crowe), jak bojuje jako boxer s holými pěstmi. Jem je svou matkou neustále varován před následováním dědečkova života. Jednoho odpoledne ale Jem vycítí příležitost k získání peněz a na jarmarku snadno porazí šampiona souboru Boba „Blackbeard“ Brittona (Julius Francis). Povzbuzen úspěchem se Jem pustí lehkovážně do bojů o ceny a brzy se postaví proti mistrovi Anglie.

An egocentric professional mourner reaps the consequences of his ambition.

A concert of The Ana Popovic Band during their 'Blind For Love' tour. Over 2 hours of music with an enthusiastic 5000+ audicen, an eight-piece band and a top crew with six camera's to witness this unforgattable evening.

This film is the record of a traumatic reaction to the terrorist acts in the Moscow subway of March 29, 2010.

Jennifer nachází vzácné poklady ukryté v garážových výprodejích, které poté výhodně zpeněží ve svém obchodě se starožitnostmi. Nachomýtne se přitom k vyšetřování vraždy svého známého, v jehož skladu si uchovává věci z aukcí...

A week in the life of Claudia e Francesca and all their friends.

Před několika desítkami let SSSR vyvinul nezabitelné žraloky a vypustil je na Měsíc. Dnes čeká tým amerických astronautů životní boj.

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

Technologický pokrok a kulturní vývoj narušily rovnováhu vztahu lidí a zvířat. Namísto podobných znaků se zaměřujeme na odlišnosti. Koexistenci nahradila dominance. Zapomněli jsme, že žijeme v domě, který nepatří jenom nám. Pouto mezi člověkem a ostatními obyvateli živočišné říše ale ještě nebylo nenávratně přerušeno. Režisér se ve své současně intimní i filozofické vizuální eseji zaměřil právě na to, co nás spojuje. Výroky myslitelů a poetické záběry mezidruhových interakcí naznačují, že pokud dokážeme změnit způsob, jakým o zvířatech přemýšlíme, prospěje to celému ekosystému.

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.

Trapped in the web of ethnic strife in the brutal underbelly of Karachi, Gardaab is a tale of two lovers' journey, as they struggle to break away from the unending cycle of violence that haunts the metropolis.