CHANGE is a Japanese television drama which aired on Fuji TV starting May 12, 2008.

Cesta filmařů po ruském klenotu, 3500 km dlouhém toku... Daleko na mrazivém severu Ruska pramení mohutná řeka Volha a svou náruč rozevírá doširoka lidem i přírodě. Přes tři a půl tisíce kilometrů se vine jako životodárná tepna ze srdce Ruska až do střední Asie. Na své cestě ze severu na jih se mění v největší evropskou řeku, než nakonec vytvoří velkolepou deltu napájející Kaspické moře.

An epic crafting competition show that features larger-than-life challenges in a magical studio that makes every crafter’s dreams come true.

A coming-of-age story about young love and brotherhood among a group of young adults who lived during the revolutionary times in Beijing.

West Coast Customs is an automobile repair shop focusing on the customization of vehicles. It was started by co-founders Ryan Friedlinghaus and Quinton Dodson in 1994. According to Friedlinghaus, he began the business with a $5000 loan from his grandfather, but other sources claim that he raised the seed money for the business while working at his father's liquor store. Owing to the patronage of celebrities such as Shaquille O'Neal and Sean Combs, along with appearances in the reality television

Derived from the 1947 movie with the same name, a house is haunted by a deceased sea captain who wreaks havoc with the new tenants who were not advised of his existence.

2150 A.D. The battle with the Festum, the silicon life-forms from distant outer space, had reached a new dimension. The North Polar Meir that was crushed during the First Azure Operation had dispersed its fragments all over the world. They all started activity on their own as independent Meirs. Most of the Meirs harbored hatred towards humanity and challenged a fight, however, a portion of the Festum chose coexistence with mankind. Amongst the crossfire, the Ryugujima island alone disappeared from the forefront of battle and continued its silence. The island had gained a means to converse with the Meir since their encounter with Misao Kurusu two years ago. The children of ALVISS had been searching for a way to understand the enemy as they prepared for battle. And now, once again, further evolution was about to befall the island. A girl that understands the language of the Festum, and a girl protected by a Festum. When the two meet, the doors to a new universe opens.

Kang Jae is a wealthy businessman and gangster and Mi Joo is a plastic surgeon. These two meet after Mi Joo mistakes Kang Jae as being her sleazy brother-in-law. Kang Jae just happens to be the boyfriend of Mi Joo's pregnant neighbour, Yoo Jin. Sae Yeon meets Mi Joo and falls in love with her feisty attitude. Kang Jae works for the father of Sae Yeon who is a gangster. Mi Joo and Kang Jae fall in love.

Nearly 30 years ago, the tragic murder of Tejano superstar and Mexican-American cultural icon Selena Quintanilla Perez sent shockwaves through the world and bore a legacy that remains relevant today. Her killer, Yolanda Saldivar, is eligible for parole next year. This examines Saldivar’s interpretation of events that ended in Selena’s death and her claims that everything wasn’t as it seemed.

Public figures from different backgrounds meet each week. At first glance, these guests would seem to have little in common. However, something does unite them all: an event or experience that they have graciously agreed to share that justifies their seat at the same table. As the program unfolds, their shared history is gradually revealed.

Kitagawa Keiko plays Sasaki Rena, a detective who risks her life investigating detectives for her dead sister. Beautiful, intelligent, and with a great memory, the talented woman judges situations and chooses the most appropriate course of action. Her brutal past surrounding her sister's death inspires her to learn everything she can about detectives, leading her to visit the Suma Research Company. As the sole member of the Anti-Detective Department responsible for investigating and pursuing unethical detectives, she is a solitary lady detective.

In order to make sure that Koryo was free, Gong Min Wang married a woman he did not love. The Mongolians ruled Koryo so Gong Min Wang married the Mongolian princess in hopes that one day Koryo could be freed. Shin Don was a Buddhist priest who both Queen Nokuk and King Gong Min depended on for advice in ruling Koryo.

Nowadays, human desires are expanding infinitely, plundering resources and destroying the environment. This dark atmosphere pervades the sword of Xuanhuang and erodes. After awakening, the Spiritual World Venerable transmits his power of darkness, and organizes the Dark Night Rakshasa Sect in human beings to find out on the one hand. The power of Xuanhuang, which was left behind, tried to unravel his seal, and on the other hand, he killed the descendants of Douhunwei everywhere to relieve his worries. Zhang Shanfeng was accidentally involved in a dispute, and the fighting spirit in his body was stimulated. He used the power of the fighting spirit to rescue Shangguan Mingyue, the descendant of the fighting spirit guard, who was in danger.

Fuzuchi Kuraki is a quiet young high school student blessed with immense psychic powers and an ancient sword. He is searching for other magical artifacts with the help of Nanachi Takeo, a college student with latent powers of his own. They delve deep into the dark magic of Izumo, only to discover the secrets buried within the birthplace of all Japanese mythology!

เชฟกระทะเหล็ก ประเทศไทย เป็นเกมโชว์การทำอาหาร ออกอากาศทุกวันพุธ เวลา 23.00 น. - 01.00 น. โดยเริ่มอากาศครั้งแรกเมื่อวันพุธที่ 25 มกราคม พ.ศ. 2555 ทางสถานีโทรทัศน์สีกองทัพบกช่อง 7 ตามรูปแบบของรายการ ยุทธการกระทะเหล็ก ที่ออกอากาศครั้งแรกวันที่ 10 ตุลาคม พ.ศ. 2536 โดยได้รับลิขสิทธิ์จากบริษัท ฟูจิ ครีเอทีฟ คอร์ปอเรชั่น จำกัด ประเทศญี่ปุ่น โดยได้รับลิขสิทธิ์ในการผลิตรายการนี้ ในอีกหลายภาษา

Each of the four separate episodes -rather independent chapters- presents some of the findings of Egyptology, largely in the form of realistically presented docudrama, a splendid spectacle by peplum-standards, yet unusually true and hence surprising for non-specialist viewers in various details. Remarkable is the revealed contrast between the image-building clichés presented by the official, mostly monumental sources, glorifying deified pharaohs' glorious reign and triumphs and 'celestial' deities, and the more mundane reality, deduced largely from other archaeological findings, showing more human vices, misery, crime